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American rock band

Talking Heads
Talking Heads in the late 1970s; clockwise from top left: David Byrne, Jerry Harrison, Chris Frantz, Tina Weymouth

Talking Heads in the tardily 1970s; clockwise from top left: David Byrne, Jerry Harrison, Chris Frantz, Tina Weymouth
Groundwork information
Also known as Shrunken Heads, the Heads
Origin New York City, U.S.
Genres
  • New moving ridge[1] [2]
  • post-punk[3] [4]
  • fine art pop[3] [5]
  • avant-funk[six] [7]
  • worldbeat[3]
  • dance-rock[8]
Years active
  • 1975–1991
  • 2002
Labels
  • Sire
  • Warner Bros.
Associated acts
  • Tom Tom Club
  • Brian Eno
  • Casual Gods
  • The Modernistic Lovers
Past members
  • David Byrne
  • Chris Frantz
  • Tina Weymouth
  • Jerry Harrison

Talking Heads were an American rock band formed in 1975 in New York Urban center and active until 1991.[ix] The ring was composed of Scottish-born David Byrne (pb vocals, guitar), drummer Chris Frantz, bassist Tina Weymouth, and Jerry Harrison (keyboards, guitar). Described as "i of the most critically acclaimed bands of the '80s",[three] the group helped to pioneer new wave music by integrating elements of punk, fine art stone, funk, and globe music with an broken-hearted, clean-cut image.[3]

Equally erstwhile art school students who became involved in the 1970s New York punk scene, Talking Heads released their 1977 debut album, Talking Heads: 77, to positive reviews.[10] They collaborated with producer Brian Eno on a trio of critically acclaimed releases—More than Songs About Buildings and Food (1978), Fright of Music (1979), and Remain in Calorie-free (1980)—which blended their art schoolhouse punk sensibilities with influence from artists such as Parliament-Funkadelic and Fela Kuti.[3] By the early 1980s, they began to expand their band by including a number of additional musicians in recording sessions and phase shows, notably guitarist Adrian Belew, keyboardist Bernie Worrell, singer Nona Hendryx, and bassist Busta Jones.

Afterwards a hiatus, Talking Heads striking their commercial peak in 1983 with the U.S. Pinnacle ten hit "Called-for Downwardly the Firm" from the album Speaking in Tongues and released the concert motion-picture show Stop Making Sense, directed past Jonathan Demme. For these performances, the band was joined by Worrell, guitarist Alex Weir, percussionist Steve Scales, and singers Lynn Mabry and Ednah Holt.[three] In 1985, Talking Heads released their acknowledged album, Piddling Creatures. They produced a soundtrack anthology for Byrne'southward film True Stories (1986), and released their final album, worldbeat-influenced Naked (1988), earlier disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, But Caput, as the Heads in 1996.

In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. 4 of their albums appear in Rolling Stone 's listing of the 500 Greatest Albums of All Time, and iii of their songs ("Psycho Killer", "Life During Wartime", and "Once in a Lifetime") were included amidst the Rock and Roll Hall of Fame'south 500 Songs That Shaped Rock and Ringlet.[eleven] Talking Heads were also number 64 on VH1'south list of the "100 Greatest Artists of All Fourth dimension".[12] In the 2011 update of Rolling Stone 's "100 Greatest Artists of All Fourth dimension", they were ranked number 100.[13]

History [edit]

1973-1977: Early on years [edit]

In 1973, Rhode Island Schoolhouse of Pattern students David Byrne (guitar and vocals) and Chris Frantz (drums) formed a band, the Artistics.[xiv] Fellow student Tina Weymouth, Frantz's girlfriend, frequently provided transportation. The Artistics dissolved the following year, and the 3 moved to New York City, somewhen sharing a communal loft.[fifteen] After they were unable to find a bassist, Weymouth took up the role. Frantz encouraged Weymouth to learn to play bass by listening to Suzi Quatro albums.[16] Byrne asked Weymouth to audition 3 times earlier she joined the ring.[17]

Tina Weymouth on bass in Minneapolis in 1978

The band played their offset gig equally Talking Heads opening for the Ramones at CBGB on June 5, 1975.[nine] According to Weymouth, the name Talking Heads came from an issue of Goggle box Guide, which "explained the term used by Television set studios to depict a head-and-shoulder shot of a person talking equally 'all content, no action'. Information technology fit."[18] Later that year, the band recorded a series of demos for CBS, just did not earn a record contract. However, they drew a post-obit and signed to Sire Records in November 1976. They released their starting time single in Feb the following year, "Love → Building on Fire". In March 1977, they added Jerry Harrison, formerly of Jonathan Richman's band the Mod Lovers, on keyboards, guitar, and backing vocals.[19]

The first Talking Heads album, Talking Heads: 77, received acclamation and produced their first charting single, "Psycho Killer".[xx] Many connected the song to the serial killer known every bit the Son of Sam, who had been terrorizing New York City months earlier; nevertheless, Byrne said he had written the song years prior.[21] Weymouth and Frantz married in 1977.[22]

1978–1980: Collaborations with Eno [edit]

More Songs Nigh Buildings and Food (1978) was Talking Heads' first collaboration with producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp;[23] the title of Eno's 1977 song "King's Pb Hat" is an anagram of the band's name. Eno's unusual fashion meshed with the group's artistic sensibilities, and they began to explore an increasingly various range of musical directions, from post-punk to psychedelic funk to African music, influenced prominently by Fela Kuti and Parliament-Funkadelic.[2] [24] [7] This recording also established the band'south relationship with Compass Point Studios in Nassau, Bahamas. More Songs About Buildings and Food included a cover of Al Green's "Take Me to the River". This broke Talking Heads into the general public's consciousness and gave the band their first Billboard Pinnacle 30 hitting.[7]

Talking Heads perform at El Mocambo in Toronto, Ontario, Canada. Pictured: Harrison (left) and Byrne.

The collaboration continued with Fright of Music (1979), with the darker stylings of mail service-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the belatedly 1970s.[7] Music announcer Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its almost mutually fruitful and equitable".[25] The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco."[26] The vocal refers to the Mudd Social club and CBGB, ii popular New York nightclubs of the fourth dimension.[27]

Remain in Light (1980) was heavily influenced by the afrobeat of Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. It explored Due west African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "institute" voices.[28] These combinations foreshadowed Byrne's later interest in world music.[29] In gild to perform these more complex arrangements, the band toured with an expanded grouping, including Adrian Belew and Bernie Worrell, among others, commencement at the Heatwave festival in August,[30] and later in their concert film Stop Making Sense.

During this catamenia, Tina Weymouth and Chris Frantz also formed a commercially successful splinter group, Tom Tom Society, influenced by the foundational elements of hip hop,[31] and Harrison released his beginning solo album, The Red and the Black.[32]

Likewise, Byrne—in collaboration with Eno—released My Life in the Bush of Ghosts, which incorporated world music and found sounds, equally well every bit including a number of other prominent international and mail service-punk musicians.[33] All were released by Sire.

Byrne performing with Talking Heads in 1978

Remain in Low-cal 's lead single, "Once in a Lifetime", became a Height twenty hitting in the United kingdom, but initially failed to make an impression in the Usa. It grew into a pop standard over the next few years on the strength of its music video, which was named one of Time's All-Fourth dimension Best Music Videos.[35] [36]

1981–1991: Commercial pinnacle and breakup [edit]

Subsequently releasing iv albums in barely iv years, the group went into hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to tape with the Tom Tom Club. In the meantime, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe equally an viii-piece group, and parted means with Eno,[37] who went on to produce albums with U2.[23]

1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Summit ten hit, "Burning Down the House".[38] Once more, a striking video was inescapable attributable to its heavy rotation on MTV.[39] The following bout was documented in Jonathan Demme's Stop Making Sense, which generated some other live album of the same name.[forty] The bout in support of Speaking in Tongues was their last.[41]

I try to write about small things. Paper, animals, a business firm… love is kind of big. I have written a love song, though. In this picture show, I sing it to a lamp.

David Byrne, interviewing himself in Finish Making Sense [42]

3 more albums followed: 1985'due south Little Creatures (which featured the hitting singles "And She Was" and "Road to Nowhere"),[43] 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy moving-picture show, in which the band also appeared),[44] and 1988's Naked. Fiddling Creatures offered a much more American pop-rock audio every bit opposed to previous efforts.[45] Similar in genre, True Stories hatched one of the group's nearly successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head".[46] Naked explored politics, sex activity, and decease, and showed heavy African influence with polyrhythmic styles similar those seen on Remain in Lite.[47] During that time, the group was falling increasingly under David Byrne's control and, later on Naked, the band went on "hiatus".[3] In 1987 Talking Heads released a book by David Byrne chosen What the Songs Look Similar: Contemporary Artists Interpret Talking Heads Songs with Harper Collins that contained artwork by some of the elevation New York visual artists of the decade.

Tina Weymouth, pictured hither performing in 1986, and her husband Chris Frantz formed the side project Tom Tom Club.

In December 1991, Talking Heads announced that they had disbanded.[3] Frantz said that he learned that Byrne had left from an article in the Los Angeles Times, and said: "As far as we're concerned, the band never actually broke up. David just decided to leave."[48] Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. Byrne connected his solo career, releasing Rei Momo in 1989 and The Forest in 1991.[29] This menses too saw a revived flourish from both Tom Tom Social club (Blast Boom Chi Boom Boom and Dark Sneak Love Action)[49] and Harrison (Casual Gods and Walk on Water), who toured together in 1990.[50]

1992–2002: Mail service-breakup and final reunion [edit]

Weymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early on 90s.[51] In 1996, they released an anthology, No Talking, Just Caput, nether the proper noun the Heads. The anthology featured a number of vocalists, including Gavin Friday of The Virgin Prunes, Debbie Harry of Blondie, Johnette Napolitano of Physical Blonde, Andy Partridge of XTC, Gordon Gano of Violent Femmes, Michael Hutchence of INXS, Ed Kowalczyk of Alive, Shaun Ryder of Happy Mondays, Richard Hell, and Maria McKee.[52] It was accompanied by a tour with Napolitano as the vocalizer. Byrne took legal action to preclude the ring using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads proper noun".[53] The band briefly reunited in 1999 to promote the 15th anniversary re-release of Finish Making Sense, simply did not perform together.[54]

Harrison produced records including the Trigger-happy Femmes' The Blind Leading the Naked, the Fine Immature Cannibals' The Raw and the Cooked, General Public'south Rub Information technology Better, Crash Test Dummies' God Shuffled His Feet, Live's Mental Jewelry, Throwing Copper and The Distance to Hither, No Doubt's song "New" from Render of Saturn.[55] Frantz and Weymouth have produced several artists, including Happy Mondays and Ziggy Marley. The Tom Tom Club continue to record and tour intermittently.[56]

Weymouth, Frantz, and Harrison at SXSW in 2010

Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Downward the House" on March xviii, 2002, at the ceremony of their induction into the Rock and Roll Hall of Fame, joined on stage by former touring members Bernie Worrell and Steve Scales.[57] Byrne said farther work together was unlikely, due to "bad blood" and existence musically "miles autonomously".[58] Weymouth has been critical of Byrne, describing him equally "a human being incapable of returning friendship"[58] and saying that he doesn't "love" her, Frantz, and Harrison.[sixteen]

Influence [edit]

AllMusic stated that Talking Heads, one of the virtually celebrated bands of the 1970s and 1980s,[3] past the time of their breakdown "had recorded everything from fine art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop".[iii] Talking Heads' fine art pop innovations have had a long-lasting touch.[59] Along with other groups such as Devo, Ramones, and Blondie, they helped define the new wave genre in the United States.[60] Meanwhile, the more worldly popularities similar 1980's Remain in Low-cal helped bring African rock to the western world.[61] Their 1984 concert motion-picture show Finish Making Sense, directed past Jonathan Demme, was critically acclaimed upon its theatrical release, and is considered one of the best concert films ever released.[62]

Talking Heads take been cited as an influence past many artists, including Eddie Vedder,[63]LCD Soundsystem,[64] Foals,[65] the Weeknd,[66] Vampire Weekend,[67] Primus,[68] Bell X1,[69] the 1975,[seventy] the Ting Tings,[71] Nelly Furtado,[72] Kesha,[73] St. Vincent,[74] Danny Brown,[75] Trent Reznor,[76] Franz Ferdinand[77] and Radiohead, who took their name from the Talking Heads vocal "Radio Head" from the 1986 album Truthful Stories.[78] [79] The Italian filmmaker and director Paolo Sorrentino, in receiving the Oscar for his film La Grande Bellezza in 2014, thanked Talking Heads, among others, as his sources of inspiration.[fourscore]

Members [edit]

  • David Byrne – lead vocals, guitar (1975–1991, 2002)
  • Chris Frantz – drums, bankroll vocals (1975–1991, 2002)
  • Tina Weymouth – bass, backing vocals (1975–1991, 2002)
  • Jerry Harrison – keyboards, guitar, bankroll vocals (1977–1991, 2002)

Boosted musicians [edit]

  • Adrian Belew – atomic number 82 guitar, vocals (1980–1981)
  • Alex Weir – guitar, vocals (1983–1984)
  • Bernie Worrell – keyboards, backing vocals (1980–1984, 2002)
  • Busta Jones – bass (1980–1981)
  • Steve Scales – percussion, backing vocals (1980–1984, 2002)
  • Dolette McDonald – vocals, cowbell (1980–1981)
  • Ednah Holt – vocals (1983–1984)
  • Lynn Mabry – vocals (1983–1984)
  • Nona Hendryx – vocals (1980)

Timeline [edit]

Small-scale lines = Additional musicians

Discography [edit]

  • Talking Heads: 77 (1977)
  • More Songs About Buildings and Food (1978)
  • Fright of Music (1979)
  • Remain in Calorie-free (1980)
  • Speaking in Tongues (1983)
  • Lilliputian Creatures (1985)
  • True Stories (1986)
  • Naked (1988)

Run across likewise [edit]

  • List of dance-rock artists
  • List of funk stone bands
  • List of new moving ridge artists and bands
  • List of post-punk bands

References [edit]

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Further reading [edit]

  • David Bowman, This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century (New York: HarperCollins, 2001). ISBN 0-380-97846-6.
  • David Byrne, How Music Works (San Francisco: McSweeney'southward, 2012). ISBN ane-936365-53-7.
  • Chris Frantz, "Remain in Love: Talking Heads, Tom Tom Club, Tina" (St. Martin'southward Printing, 2020)
  • David Gans, Talking Heads (New York: Avon Books, 1985). ISBN 0-380-89954-X.
  • Krista Reese, The Name of This Book is Talking Heads (London: Proteus Books, 1982). ISBN 0-86276-057-7.
  • Sytze Steenstra, Vocal and Circumstance: The Work of David Byrne from Talking Heads to the Present (New York and London: Continuum Books, 2010). ISBN 978-08264-4168-three.
  • Talking Heads and Frank Olinsky, What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs (New York: Harper & Row, 1987). ISBN 0-06-096205-four.
  • Wilcox, Tyler (October 3, 2016). "Talking Heads' Road to Remain in Light". Pitchfork.

External links [edit]

  • Official website Edit this at Wikidata
  • Talking Heads at Curlie
  • Talking Heads discography at Discogs
  • Entry at 45cat.com
  • Talking Heads at IMDb

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Source: https://en.wikipedia.org/wiki/Talking_Heads

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